Park (in which the sounds we make in public are both expressions of ideology and good for the body)
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Calling (in which the sound of advertisement forms a fabric that envelops us)
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Dongfanghong 1 (in which the sound of the bell at the Beijing Railway Station reveals a story of our relation to the voice of authority)
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Dongfanghong 2 (in which the voice of authority is found to be composed of echoes)
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Music (in which we are introduced to the workers who live on their downtown work site)
The audio drama “Sound Research of China” (Michael EDDY, KANG He, 李增辉 LI Zenghui) is composed of episodes from ongoing research into the makeup of the sound environment of Beijing. The process consisted of many outings as a group into the streets of Beijing and following and questioning the sounds that we identified as “characteristic” of life in China, and of the relation of sound to life there. Working as a unit of three “specialists,” each of our backgrounds informing our manner of recording, analyzing and editing the source materials, we pursued the sounds in various ways to see how they might compose their own narrative and drama.