2015	《中国独立图书馆》洛杉矶艺术书集，格芬当代美术馆；美国洛杉矶 China Indie Library, L.A. Art Book Fair, The Geffen Contemporary at MOCA; Los Angeles, USA
2014	家作坊项目「我的负能量是你的正能量，or，或者，The Grin Without The Cat」打了一个句号，展于《不在图像中行动》，佩斯北京. 「我的负能量是你的正能量，or，或者，The Grin Without The Cat」 at "Unlived by What is Seen" group exhibition at Pace Beijing.
2014	家作坊"Late Editions"出版物回顾展，展于Art Metropole艺术书店橱窗；加拿大多伦多。 HomeShop's Late Editions presented in Art Metropole's window in Toronto, Canada.
2014	"超胡同"介绍家作坊，《Making Community, not the map nor the territory》展览，毕月策展；华人艺术中心，英国曼彻斯特. HomeShop introduced by Meta-Hutongs for the exhibition Making Community, not the map nor the territory, curated by Beatrice LEANZA for the Centre for Chinese Contemporary Art; Manchester, UK.
2013	Michael EDDY与何颖雅介绍家作坊与参加"超胡同"的"圆桌论坛"；北京设计周，中国北京. Michael EDDY and Elaine W. HO present HomeShop in roundtable discussions organised by Meta-Hutongs; Beijing, CN.
2013	《穿》杂志参加香港书展的《It Won't Be Too Small》小小zine展；香港. WEAR journal participates in the "It Won't Be Too Small" zine party and exhibition at the Hong Kong Book Fair; Hong Kong, CN.
2013	在2013年东 亚诸众会议，何颖雅介绍家作坊与讨论"藝術空間的自主性問題"；香港. Elaine W. HO presents HomeShop in "On the problem of autonomy in artist-run spaces" at the 2013 East Asia Multitude Meeting; Hong Kong, CN.
2013	在札幌Yoriaidoko Onobeka艺术空间，Michael Eddy和植村恵美讨论《家作坊：艺术家经营的空间在北京》；日本札幌市. Michael EDDY and Emi UEMURA discuss "HomeShop: An artist-run space in Beijing" at Yoriaidoko Onobeka; Sapporo, JP.
2012	家作坊的欧阳潇和何颖雅参加"地区：艺术工作者谈空间介入"对话；我们家青 年自治实验室，中国武汉市. OUYANG Xiao and Elaine W. HO from HomeShop participate in the "Territory: Art Labourers Discuss Spatial Intervention" dialogue with LI Juchuan, KAO Jun-Honn (ACT) and LEE Chun Fung (Wooferten) at Womenjia Youth Autonomy Lab; Wuhan, CN.
2012	《穿》杂志和家作坊参加《本能》独立出版物与zine展览在北京国际设计周; 北京大栅栏. WEAR journal and HomeShop participate in the Paper Instinct zine/independent publications exhibition held in conjunction with Beijing International Design Week; Beijing, CN.
2012	家作坊入选《艺术空间词典》，本书是2012年新博物馆三年展"难以统治"同时推出的出版物；美国纽约市. HomeShop included in the New Museum's Art Spaces Directory publication in conjunction with the 2012 New Museum Triennial, "The Ungovernables"; New York, USA.
2011	家作坊的《黄边日报》及"新闻日：让新闻发生"项目参加《一个（非）美术馆》的"打开盒子"项目；中国广州市时代美术馆. HomeShop's The YellowSide Daily and the "News Day: Let News Happen" project participate in the exhibition A Museum That is Not's "Open up the Box" programme; Times Museum, Guangzhou, CN.
2011	家作坊参加《小运动——当代艺术中的自我实践》展览；中国深圳市OCT当代艺术中心. HomeShop participates in the exhibition Little Movements: Self-Practice in Contemporary Art; OCT Contemporary Art Center, Shenzhen, CN.
2011	Michael EDDY和何颖雅介绍家作坊在ISEA 2011年会议的"创意经济：经济－乌托邦"讨论会；土耳其伊斯坦布尔市. Michael EDDY and Elaine W. HO introduce HomeShop at the "Creative Economies: Econotopias" panel at the ISEA 2011 Conference; Istanbul, TK.
2011	家作坊参加"多元对话：艺术，社会与空间"讲座；我们家青年自治实验室，中国武汉市. HomeShop participates in the "Multi-dialogues: Art, Society and Space" presentations at Womenjia Youth Autonomy Lab; Wuhan, CN.
2010	家作坊参加《第三方－万岁！》展览；中国北京市站台中国. HomeShop participates in the exhibition The Third Party: A Group Celebration!; Platform China, Beijing, CN.
2010	家作坊参加"娜娜.北京"演讲系列；中国北京市中央美术学院设计学院. HomeShop participates in the "NaNa.Beijing" lecture series at the Central Academy of Fine Arts, Beijing, CN.
2010	家作坊参加"未来城市研究项目系列讲座2"；中国北京市中央美术学院设计学院. HomeShop participates in the "Next City" lecture series at the Central Academy of Fine Arts, Beijing, CN.
2010	《穿》杂志参加《"有种"——女性生活想象》展览；中国上海市下河迷仓. WEAR journal presented at Who's Got It: New Femininity; Mecoon Whitehall, Shanghai, CN.
2010	《穿》杂志参加《SuperNatural!》中国艺术与设计展览；意大利米兰市DesignLibrary. WEAR journal included in SuperNatural! The Secret Life of Things in Chinese Art and Design; DesignLibrary, Milano, IT.
2010	家作坊的玩世不恭文化交流录像作品"猫有猫道狗有狗道"参加《东西 - Things》展览；奥地利巴登市艺术协会. "What is Cultural Exchange?" video included in Dongxi - Things exhibition; Kunstverein Baden, Baden, AT.
2010	《穿》杂志参加《艺术出版物》展览；香港1A空间. WEAR journal included in Art Publications exhibition; 1A Space, Hong Kong.
2010	大卫·莱昂斯于《穿》杂志发表文章"专业农民和塑料大米：一篇来自2008农民奥运会的报道"，西恩·斯密斯和巴巴拉·弗恩斯勒在加拿大多伦多约克 大学所教授的课程"体育，民族和大众文化"就是以这篇文章为主要资料来源. David LYONS' text "Professional Peasants and Plastic Rice: A Dispatch from the 2008 Peasant Olympics" from WEAR journal presented as course material for "Sport, 'Race' and Popular Culture" by lecturers Sean SMITH and Barbara FORNSSLER; York University, Toronto, CA.
2009	《穿》杂志参加《也是个地儿》展览；中国北京市安定门宾馆. WEAR journal presented at the Also Space exhibition; Andingmen Hotel, Beijing, CN.
2009	"跟我学，北京-柏林"公共录像对话参加《There Is No 'I' in Team》系列活动；德国柏林市PROGRAM艺术与建筑独立机构. "Do as I do, Beijing - Berlin" public video chat event is part of There Is No 'I' in Team series; PROGRAM Initiative for Art + Architecture, Berlin, DE.
2009	"家作坊叫卖"行为活动参加《Emporium》展览；意大利米兰市列奥纳多·达·芬奇国立科学博物馆. "HomeShop Hawking", performance at Emporium exhibition; Leonardo da Vinci Museum of Science & Technology, Milano, IT.
2009	家作坊与西恩·斯密斯合作在美国纽约视觉艺术学校Mediamodes大会上举办讲座"Unlayering the Relational: Microaesthetics and Micropolitics". "Unlayering the Relational: Microaesthetics and Micropolitics", presentation with Sean SMITH; Mediamodes conference; School of Visual Arts, New York, USA.
2009	《穿》杂志参加《比耶稣年轻的一代》展览； 美国纽约市新美术馆. WEAR journal selected for The Generational: Younger than Jesus publications archive; The New Museum, New York, USA.
2009	Beatrice FERRARI在瑞士罗森市国家技术学院地理和城市研究系介绍家作坊. HomeShop presented as course material taught by Beatrice FERRARI, Geography and Urban Research Department; Swiss Federal Institute of Technology, Lausanne, CH.
2008	《穿》杂志参加"这个店""立面图书馆 No. 3"图书展；中国北京市维他命艺术空间. WEAR journal included in the Facades No. 3 library; Vitamin Creative Space TheShop, Beijing, CN.

《穿》杂志第三期: "有种" WEAR journal number three: "BALLSY" (pictured above)

《穿》杂志第二期: "文化交流" WEAR journal number two: "CULTURAL EXCHANGE"

《穿》杂志第一期: 08奥运会 WEAR journal number one: "GAMES 2008"

《穿》杂志浏览／购买地点  WHERE TO FIND WEAR

静态连结 permalink: http://www.homeshop.org.cn/#wear

家作坊介于工作和娱乐之间，但它并不属于两者中的任一个，因为家作坊绝不会屈服于只追求结果，或者拘泥于某个理论亦或是调查的暴政。
“It stands somewhere between work and play, but it defeats both in its refusal to submit to the tyranny of accountability for results, theories and surveys.”

如果我的结论是正确的那么我这一代人就要面对和接受作为艺术土壤的命运。
“If I was right about this, then my generation simply had to face up to our fate: we had to be that soil.”

如何组织一种"让它发生"的结构？
“How to organize the structure to ‘let happen?’”

可是这只是几周的意识形态假期，等一封邮件告诉她另一个光辉的未来……
“But this has only been several weeks of an ideological holiday. A letter awaits. One that speaks of a different, brighter future.”

计算工作量当然没有问题，但它只是一个意义生产过程的余数？
“One could quantify this value by adding up one's billable hours, but does this mean that the intrinsic value of translation is a mere surplus, a remainder?”

之所以本质是空虚的，那是我发现"公开平台"的特质，我们天天尝试着破开"公开"。
“Its essence is empty, and perhaps that was the emptiness of an open platform where everyday we made attempts to open an understanding of the open.”

也许最有趣的问题是，对于自身实践的自反性和角色影响能否改变周边区域？
“Perhaps most interestingly, can their reflexivity about their own practices and roles influence the changes in the neighborhoods?”

我们胡拼乱凑出一个对正确答案的记忆。但如果你不能说出它到底是什么，那它怎么能算是正确的呢？
“We cobble together a memory of the correct answer. But what is a truth if you cannot tell it?”

静态连结 permalink: http://www.homeshop.org.cn/#appendix

"快乐朋友阅读俱乐部"一项始于2004年 的持续性项目，作为文献和读者之间互动的载体，由不同人在不同地点组织 。自2010年起，快乐朋友阅读俱乐部在家作坊举办，定期举行关于美学、政治和哲 学上的讨论。欢迎任何人加入（近期主要是以英文为主），由参与者选择所要阅读的文献。阅读俱乐部是一种实践与对话，而不是一个项目，虽然有时它与 其他项目相联系。至于要来定义一次讨论的成功或失败，这取决于个人期望从文献中获得什么：信息、自我教育、辩论、友谊？都可以！立刻加入 我们！

Happy Friends Reading Club is an ongoing, fluctuating body of texts and their readers, organized in various locations with different people since 2004.

Since 2010, Happy Friends Reading Club has been based at HomeShop, and meeting with variable regularity to discuss readings on aesthetics, politics, and philosophy. It is open for anyone to join (though currently it happens mostly in English), and participants decide the course of articles.

The reading club is regarded as a practice and as a conversation as opposed to a project, though it at times connects to other projects. The question of success or failure as it pertains to projects therefore only stands as relevant insofar as one's definition of what is desired from texts: information, self-education, debate, friendship?
All valid.
Join today!


自2009年起阅读和讨论过的文献（按阅读俱乐部举办时间倒序排列）
Texts read and discussed since 2009 (in reverse chronological order of meetings):

	“The Location of Culture”, Homi BHABHA (1994)
	“Society of the Spectacle”, Guy DEBORD (1967)
	“Who Owns the Future?”, Jaron LANIER (2013)
	“Toward an Anthropological Theory of Value”, David GRAEBER (2001)
	“Navigating Movement”, Brian MASSUMI (2008)
	“The Embodied Mind”, Francisco VARELA, Evan THOMPSON, Eleanor ROSCH (1992)
	“Speech Object”, Australian artist group A Constructed World (Geoff LOWE and Jacqueline RIVA) (2011)
	After the Event: Rationality and the Politics of Invention; An interview with Alain BADIOU by Radical Politics (2003)
	“Archaeologies of the Future”, Fredric JAMESON (2005)
	“Living Currency”, Pierre KLOSSOWSKI (1970)
	“Artificial Hells”, Claire BISHOP (2012)
	“The Sound of Breaking Glass”, Grant KESTER (2012)
	Poetry from BEI Dao
	“Spheres”, Peter SLOTERDIJK (2011)
	“A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century”, Donna Harraway (1985)
	“Activist Philosophy”, Brian MASSUMI (2012)
	“Modes of Activism” (selected conference papers, 2012)
	“On the Undermining of Objects: Grant, Bruno, and Radical Philosophy”, Graham HARMAN (2010)
	“Anthropology and Theory of Institutions”, Paolo VIRNO (2009)
	The Sane Society /《健全社会》, Erich FROMM (1955)
	“Bodies That Matter”, Judith BUTLER (1993)
	“Desiring-Production”, Gilles DELEUZE and Félix GUATTARI (1972)
	The Accursed Share, Georges BATAILLE (1949)
	“Time, Acceleration and Violence”, Franco BERARDI aka BIFO (2011)
	“On Potentiality”, Giorgio AGAMBEN (2000)
	The Ignorant Schoolmaster, Jacques RANCIÈRE (1991)
	“The Origin of the Work of Art” by Martin HEIDEGGER, 1935/37 (1950 & 1960)
	“About the Word Design”, Vilém FLUSSER (1990)
	“The Intangibilities of Form”, John ROBERTS (2007)
	“The Ambivalence of Disenchantment”, Paolo VIRNO (1996)
	“The Library of Babel”, Jorge Luis BORGES (1941)
	“Beyond Green: Toward a Sustainable Art”, Victor MARGOLIN and Stephanie SMITH (2006)
	Dark Matter, Gregory SHOLETTE (2011)
	“Electronic Civil Disobedience”, CRITICAL ART ENSEMBLE (1994)
	“Affectivist Manifesto”, Brian HOLMES (2010)
	“Provincializing Europe”, Dipesh CHAKRABARTY (2000)
	“The Shanghai Gang”, Richard MacGREGOR (2010)
	“Lethal Theory”, Eyal WEIZMAN (2006)
	“The Burdens of Linearity: Donkey Urbanism”, Catherine INGRAHAM (1999)
	“1989 and the historical roots of neoliberalism”, WANG Hui (2004)
	The Shock Doctrine, Naomi KLEIN (2007)
	“Travels in Hyperreality”, Umberto ECO (1976) and Simulation and Simulacra, Jean BAURILLARD (1981)
	“Space and Place”, Yi-fu TUAN (1971)
	The Condition of Postmodernity, David HARVEY (1991)
	“On Surplus Value”, Diedrich DIEDRICHSEN (2008)
	“Disco as Operating System”, TAN Lin (2008)
	Mister Lonely, directed by Harmony KORINNE (2007)
	“Multitude; Between Innovation and Negation”, Paolo VIRNO (2009)
	“Magic and Modernity”, PANG Laikwan (2004)
	《阳光？？的日子 In the Heat of the Sun》, a film by JIANG Wen (1994)
	“Fantasy and Ideology in a Chinese Film: A Žižekian Reading of the Cultural Revolution”, Tonglin LU (2004)
	Yang Ban Xi, a film by YAN Ting Yuen (2005)
	“The Cultural Revolution: The Last Revolution?”, Alain BADIOU (2005)

静态连结 permalink: http://www.homeshop.org.cn/#happyfriends

"哇宝！"是一系列以物物交换的形式构建的微型经济实验。参与者来自北京的各个阶层。一方面，贯穿每期"哇宝！"的核心模式是邀请大家把自己不要的东西收集到一起、通过交换找到新的宝贝。另一方面，每届哇宝都致力于改善原有交换系统不断追寻一个没有金钱的交换系统的可能性。

哇宝！第一期的主题思想是关于垃圾和回收的，主体内容包括与家作坊邻居宋家一起做糖葫芦，通过将故事换取小吃并开创了后来每届哇宝的高潮：令人血脉贲张的大拍卖。
哇宝！第二期的主题是循环性，带有关于农业种植的技术的讲座和如何在家就DIY废品变宝等。
哇宝！第三期关注的是另类经济模式，并举办了一些列关于该课题的讲座。哇宝！3将故事讲述作为换取代金券的必要条件（该系统崩溃并导致腐败的产生尽管我们当时有穿着制服的保安。）
最后并最为野心勃勃的哇宝！4设立了一个小票作废的机制，以避免挪用、盗用的发生。同时，这届哇宝！还通过参与缝被子与做公共演讲等各种凯恩斯式劳动刺激制造了挣得附加小票的条件。该物物交换会还为一系列艺术介入（"二条艺术界节"）提供了环境。

WaoBao! was a series of swapping events that functioned as miniature experimental economies, and drew crowds from across the spectrum of Beijing residents. While the consistent core of WaoBao! was to invite people to get rid of what they no longer needed and to find new treasures, each edition attempted to improve on its exchange system to explore the functional limits of a moneyless system of exchange.

The theme of WaoBao! 1 was around trash and recycling, and included a workshop on making tanghulu (candied hawthorn skewers) by HomeShop's neighbors, the Song family, and storytelling in exchange for refreshments, and inaugurated the pinnacle that capped each WaoBao! event—the fast-paced auction at the end.
WaoBao! 2 focused on cyclicality, and featured lectures on traditional farming techniques and workshops on DIY "upcycling" projects easily undertaken at home.
WaoBao! 3 addressed alternative economies, and hosted a number of lectures on the topic. This edition tried to introduce storytelling as a mandatory part of acquiring tickets (this affective device broke down and led to corruption, despite the presence of a uniformed security guard).
The final and most ambitious edition, WaoBao! 4ever!, instituted a ticket cancellation policy ensuring a ban on embezzling and racketeering, while it introduced a novel possibility to earn more tickets through a Keynesian labour stimulus arrangement by quilting and speech-making. The swap meet also provided the context for a number of invited art interventions, called The Er Tiao Art Festival.

静态连结 permalink: http://www.homeshop.org.cn/#waobao

两年以来，家作坊通过报纸的形式对公共性与本地性的"内"与"外"进行持续研究，包括《黄边日报》与《北二条小报》。我们意在通过时效性媒介来发 表一个具有复调空间的宣言。从时间与空间上来说，报纸的截稿时间给内容强加了一种特定的紧迫感。

作为这些表演性新闻报道的延续，《绿盒子阜利通》将现身《绿盒子：重绘形貌-媒体现实的空间》群展，并展开探索。家作坊小分队会对其他参展者进行 纪录、注解、批评，搜集大量数据、真相抑或流言，以及 深入幕后的主观诠释，这些将以红墨印制，在开幕时供人取阅。在个别情况下，参展者可选择自我批判，而不是让作品任由《绿盒子阜利通》支配。最后，我们的社 论不仅是指向自我的检视，渗入自身实践的诸多边界，而且是向普遍意义上的展览批评提出质询。

Over its duration, HomeShop investigated the ins and outs of publicness and locality through the form of newspapers, including The YellowSide Daily and Beiertiao Leaks. The intention was to form a multi-vocal space of statement through a medium of urgency. The newspapers' deadline forces a certain immediacy of content, in both time and place.

Greenbox Leaks was a followup on these exercises in the performance of journalism, turned toward the exploration of the context of the group exhibition in which it appeared, Green Box － Remapping — The Space of Media Reality, organized by the School of Intermedia Art of China Art Academy in Hangzhou in January 2013. A team dispatched from HomeShop documented, annotated and critiqued the contributions by all other participants in the show, gathering meta-data, truth/rumour, and subjective interpretation into a special behind-the-scenes critical feuilleton printed in red ink and available for the opening. In some cases, the other participants were offered the choice to self-critique instead of having their work subjected to the treatment of the Greenbox Leaks team. Finally, our editorial comprised a self-criticism that not only infiltrated the boundaries inherent to our own undertaking, but also problematized all future criticisms around the exhibition as a whole.

[点击此处查看第一期  click here to view Greenbox Leaks]

静态连结 permalink: http://www.homeshop.org.cn/#greenboxleaks

查看2011年10月9日的《黄边日报》电子版    View a digital copy of the October 9, 2011 edition of The YellowSide Daily

广东广州时代美术馆"一个（非）美术馆"项目之一, 2011年

《黄边日报》是一份关于时代美术馆所处的广州北部黄边区的新型报纸。作为一份预报性报纸，它在媒体风景中显露出来，因为它在今日报道明日的新闻。然而，《黄边日报》与其他报纸的关键区别在于它对新闻的承诺：不仅等待新闻的发生并且确保新闻发生。

时代美术馆招募的志愿者和一些公众组成专门的预报记者团队，家作坊作为编辑部定位黄边的未来故事。日以继夜地工作，在印刷前的最后一分钟进行预测调整，《黄边日报》首版在10月7日印刷4000份，并于10月8日早上挨家挨户投放在整个社区，最终决定命运的10月9日到来。报纸上的新闻就像报道的那样发生了（在黄边日报团队、志愿者记者和消息灵通的公众的通力合作下）。

"新闻日"摘要

	由世界著名建筑师Rem Koolhaas主持的黄边国际艺术区成立典礼。一个向公众介绍黄边区内不易发现的许多现代艺术杰作的艺术游也出现了，其中的作品包括 ‧ 毕加索，达明安 ‧ 赫斯特，罗伯特 ‧ 巴里及其他人的作品
	为配合"创建文明广州"的城市运动而推出的"文明摩托"服务
	全天降种子阵雨的天气报告
	一个突然出现的篮球工作坊，专为外来务工人员子女设计，并由专业篮球运动员指导进行
	其他更多

当地居民惊呼，"啊，黄边也有日报啦？！"有时也会问，"那这会每天都出版吗？" 像这样关于未来的问题只能由黄边当地居民自己去决定了。


A project for A Museum That is Not, Times Museum, Guangzhou, 2011

The YellowSide Daily is the new newspaper for HuangBian, the district in northern Guangzhou surrounding the Times Museum. But as a predictive newspaper, it is also unique in the media landscape, as it reveals tomorrow's stories today. The crucial difference is in The YellowSide Daily's true commitment to the news: a newspaper that does not only wait for it to happen, but ensures that it does.

Working with a dedicated team of predictive journalists recruited from among the Times Museum's volunteer corps and members of the public, HomeShop oversaw an editorial process locating HuangBian's future stories. Working around the clock with last-minute predictive adjustments, the inaugural edition of The YellowSide Daily (dated 9 October 2011), appeared in a print run of 4000 copies on October 7th. The newspapers were distributed by hand and door-to-door around the community in the morning of October the 8th, and finally the fateful news day—October 9th—arrived. The articles from the newspaper then happened just as had been written (in cooperation with The YellowSide Daily team, volunteer reporters and the well-informed public).

Among the day's features:

	The inauguration of HuangBian as a new International Art District, with a ceremony presided over by world-reknown architect Rem Koolhaas. A tour also took place, introducing the public to the district's many invaluable modern art masterpieces by the likes of Pablo Picasso, Damien Hirst, Robert Barry, and many more.
	The launch of a "civilized moto-taxi" initiative to complement the city's "Civilized Guangzhou" campaign;
	Weather reports of scattered seed showers throughout the day;
	A pop-up basketball workshop for children of migrant workers run by a professional basketball player;
	And much, much more.

Residents exclaimed, "Oh, a newspaper for HuangBian?!" and sometimes, "So, this will come out every day?" The future of such a question can only be determined by the residents of HuangBian themselves.


静态连结 permalink: http://www.homeshop.org.cn/#yellowsidedaily

《北二条小报》是家作坊缓慢发行的本地报纸，在一些参与者的帮助下，使用自备丝网印刷设备定期制作。这是一种探索"本地"的媒介，"本地"包括邻居、来自全国各地的朋友，甚至更多的人际脉络，同时必须要考虑到的是日常节奏及间接影响到"当下"的时间因素。

Beiertiao Leaks is HomeShop's slow local newspaper, produced periodically with our in-house silk-screen facilities and with the help of many contributors. It is a medium for investigating the local: this could include the neighborhood, friends from across town, and more extended networks, and it must account for both the everyday rhythms and the mediated temporal warping that affect these today.

		2010年12月23日—《北二条小报》第一期的发行当天恰逢家作坊在交道口北二条的重新开幕仪式。白天是不间断的报道、编辑和排版，晚上进行印刷和现场发放（根据你的想象判断这个时间表是否得以实施）。 23 December 2010—The first edition of Beiertiao Leaks coincided with the re-opening of HomeShop at Jiaodaokou Beiertiao hutong. The day was a continuous process of reporting, editing and laying out, and by night time, was to be printed and distributed on site (whether this schedule was strictly achieved is up to your imagination). [点击此处查看第一期  click here to view the first edition]
		2011年5月23日—《北二条小报》第二期的出版成为了"大陆漂流"项目"北京－武汉/丽江"旅行的一部分。这一期的报纸促使我们一起审视了眼前的地域空间及我们自身，即邻居、同行及朋友间相互检验共创当日的最新爆炸新闻。 23 May 2011—The second edition of Beiertiao Leaks was published as part of the Continental Drift project's journey from Beijing to Wuhan and Lijiang. This edition of the newspaper acted like a catalyst for looking together at the immediate territory and our roles within it, whereby cross-examinations of neighbours, parallel practitioners and friends made for the day's late breaking journalism. [点击此处查看第二期  click here to view the second edition]
		2011年12月23日—《北二条小报》第三期在家作坊入驻交道口北二条一周年之际出版，我们的新闻工作者借此机会批判地审视了自身游离在当 地境遇中并为该游离提供媒介的独特身份。涉及范畴涵括社区优化对附近 居民生活的影响，艺术界的小道消息，与当代地理政治与日常生活交汇的分析等课题。 23 December 2012—The third edition of Beiertiao Leaks was published on the occasion of the one-year anniversary of HomeShop's residing at Jiaodaokou Beiertiao, with news staff taking this opportunity to make a critical reflection on our role as embedded media purveyors both in and outside of the local scene, whether that encompassed the gentrification changing a small community in Beijing, art world gossip, or an attempt to understand and filter contemporary geopolitics as a concurrent reality. [点击此处查看第三期  click here to view the third edition]

静态连结 permalink: http://www.homeshop.org.cn/#beiertiaoleaks

由何颖雅与Fotini LAZARIDOU-HATZIGOGA实现
by Elaine W. HO & Fotini LAZARIDOU-HATZIGOGA

家作坊分店；北京，2010年 HomeShop branch; Beijing, 2010

2010年，经过对寻找新空间的一段旷日持久地研究和分析，家作坊在小经厂胡同的空间暂时回到了它过去的房产中介公司状态（2007年早期）。模仿北京无数家房产中介的类型，在2010年春夏两个月期间，家作坊成为了著名连锁机构"我爱我家"的分店之一，并叫做"我爱你家"，其展示了超过30家北京最热房产信息，同时家作坊的多语言服务团队为路人提供了免费咨询及在首都的私人生活信息。

After a prolonged research and analysis period highly implicated by HomeShop's 2010 search for a new space, our newfound expertise led to the temporary return of the current space at Xiaojingchang hutong to its former status as real estate agency (pre-2007 era). Replicating the typology of Beijing's countless real estate agencies, HomeShop took up a new role as an off-shoot office of the well-known chain 我爱我家 Wo Ai Wo Jia ("I Love My Home"), henceforth named 我爱你家 Wo Ai Ni Jia ("I Love Your Home"). For a period of two months in the Spring/Summer of 2010, "我爱你家 I Love Your Home" presented information on over thirty of Beijing's hottest properties, with its multilingual agents advising passersby on the real estate market and private life in the capital—free of commission.

"我爱你家草场地分店"受站台中国"第三方，第二幕：陌生人"邀请，由毕月策展；北京，2010年 "I Love Your Home" Caochangdi branch; commissioned by 站台中国 Platform China for "The Third Party, Part Two: The Stranger", curated by Beatrice LEANZA; Beijing, 2010

为了拓展市场和扩大视野，2010年12月，"我爱你家"项目扩展到草场地村暨艺术区，用艺术展示一个临时性房地产中介，在白色方形空间中，使用框架摄影照片和视频作为媒介。

其中的一个视频是关于对站台中国艺术空间拥有者及周边地区管理者孙宁的采访，在采访中她回顾了自己的历史及对草场地艺术区的观点。最开始它只是一个北京城郊的脏乱小村，现正在变成了像798一样的时髦场所，以及"北漂"和外来务工人员的廉价住所。

进一步地实地考察，促成了一本关于草场地最新可使用房产的合集（既包括仓库和画廊空间，也包括12平方米不带暖气的屋子），其中包括每个空间的全部细节信息，布局、面积及租用联系电话。

Broadening our market and horizons, in December 2010 "我爱你家 I Love Your Home" expanded to the Caochangdi village-cum-arts district, where the pop-up real estate agency was transformed into an art display, complete with framed photographs and a video installed in a white cube space.

A video interview with SUN Ning, owner of Platform China art space and manager of several properties in the area, recounts her history and views of the Caochangdi arts district, from its beginnings as a dusty village on the outskirts of the city to its current status as a trendy off-site for 798 aficionados, cheap lodging for beipiao (Beijing's young, precarious population) and home to migrant workers.

Further fieldwork contributed to a selection of Caochangdi's most recent available properties (from warehouse and gallery spaces to 12 sq m rooms without heating), along with the full information regarding particular details unique to each space, their layout, size and telephone contact for renting each space.


静态连结 permalink: http://www.homeshop.org.cn/#iloveyourhome

"有种"是一个以运动、反射过程及试图了解它对于"超越"的真正含义作为标志的系列。虽然因我们从位于小经厂胡同的原始位置搬到北新桥附近的新家，家作坊第三系列活动发生地点较为分散，但"有种"成为了一种文字游戏，一种神秘的抛入，一种关乎勇气的测试。

BALLSY is a series marked by motions, reflective processes and attempts at understanding what it really means to "go beyond". While this series took on the more scattered trajectories befitting our transition from the original location at Xiaojingchang Hutong to the new home near Beixinqiao, BALLSY has become more than a play on words—a mysterious throwing into, a testing of guts.


第三期活动  SERIES NUMBER THREE SELECTED EVENTS:

	配合"也是个地儿2"项目的《制作摸泥摸泥摸泥》光泥球工作坊 "How to Make Moni Moni Moni" dorodango mud ball making workshop in conjunction with the Also Space2 project
	《我爱你家》互动房地产装置 "I Love Your Home" pop-up real estate intervention, by Fotini LAZARIDOU-HATZIGOGA and Elaine W. HO
	胡同"种子炸弹"，植村絵美与Ulrike JOHANNSEN hutong seed bombing, by Emi UEMURA and Ulrike JOHANNSEN
	《北二条小报》慢性报纸两期出版 publication of Beiertiao Leaks slow community broadsheet
	家作坊主办欢乐读者俱乐部读布莱恩·霍姆斯、吉奥乔·阿甘本、等等 Happy Friends Reading Club discusses Brian HOLMES, Giorgio AGAMBEN and others
	"资本"文献开办， 包含吴以南的"美容丸子"与Katja FREDERIKSEN的"用胶带修理" launch of the CAPITAL archive, with video lessons by Sunday WU (beauty balls) and Katja FREDERIKSEN (tape-mending)
	"有种儿童电影放映之夜" "Ballsy Kids Movie Night"
	位于家作坊新地点的装置家作坊"接头暗箱"(国际项目由Aram BARTHOLL发起) installation of the "HomeShop Deaddrop" at HomeShop's new location (int'l project initiated by Aram BARTHOLL)
	由家作坊、罗盘小组及"我们家"青年自治实验室合作举办的"大陆漂移"移动讨论会及讨论系列 Continental Drift roving seminar and discussion series, co-organised by HomeShop, Compass and Womenjia Youth Autonomy Lab
	由何颖雅、赵骏园、薛娴及GogoJ合作组织的 "此地无声"声音地图项目 The Sound of Nowhere sound mapping project, co-organised by Elaine W. HO, Jun-y CIAO, XUE Xian and GogoJ
	由植村絵美和方丹敏组织的"日历餐厅"慢性食物工作坊第一季 first season of the "Calendar Restaurant" slow food workshops, organised by Emi UEMURA and Barbara FANG

静态连结 permalink: http://www.homeshop.org.cn/#seriesnumberthree

家作坊的第二集以一种更苛刻的视角观察了隐藏在"文化交流"这一被过度化的形式背后的多元与矛盾。通过对胡同生活的持续记录，家作坊的一些小型实践考察了不同形式的社区，同时结合本地与国际的社会评论，本身也是一个交流的综合过程。

The second season of HomeShop was marked by a more cynical bent, whereby the pointedness of quotation marks, as in "cultural exchange", invited investigation into the deeper multiplicities and ambivalencies hidden within this overwrought term.

Continuing its documentation of daily life in the hutong, HomeShop's series of minor practices sought to engage different forms of community, along with local and global forms of social critique, within a meta-processing of exchange itself.


第二期活动  SERIES NUMBER TWO SELECTED EVENTS:

	《玩世不恭文化交流BBQ》，展出何颖雅、林美雅／梁硕与Matthieu PILLOUD的录像作品；八米长烤肉炉子"Emmanuelle II"；墨西哥品丫塔雕塑作品；戴蒲、Felipe ESCUDERO、何颖雅、Laura KOERFER、Nuri KOERFER与欧阳潇创作 A Cynical Cultural Exchange BBQ; featuring films by Elaine W. HO, Meiya LIN/LIANG Shuo and Matthieu PILLOUD; 8 metre long "Emmanuelle II" barbecue grill; ballsy piñata sculpture by DAI Pu, Felipe ESCUDERO, Elaine W. HO, Laura KOERFER, Nuri KOERFER and Xiao OUYANG
	家作坊与里恩·瓦格合作城市游戏Hou Hai'd 'N' Seek；美国帕森设计学院和清华大学的学生参加了此活动 Hou Hai'd 'N' Seek, an urban game co-organised by HomeShop and Leanne WAGNER in conjunction with students from Parsons School of Design and Tsinghua University
	本地聋人参加了"里九外七"工作坊系列 "Overseas, Close by" workshop series in conjunction with the local deaf community
	建筑师陶醉作为访问艺术家在家作坊创作互动装置作品"临时空间×时间容积率" "Temp_Space x Time_Plot_Ratio", built intervention by HomeShop architect-in-residency Claude TAO
	家作坊主办欢乐读者俱乐部读大卫·哈维的《后现代性状况》 Happy Friends Reading Club discusses David Harvey's The Condition of Postmodernity
	在社区里步行录音； 何颖雅与谢婷婷 neighbourhood sound walks, by Elaine W. HO and Hailey XIE
	通过视频教语言；Fotini LAZARIDOU-HATZIGOGA与张硕 interactive video language lessons, by Fotini LAZARIDOU-HATZIGOGA and Bobby ZHANG
	"欢迎回来，砖!"；家作坊和Instant Hutong "Welcome Back, Bricks!" public "art" intervention; by HomeShop and Instant Hutong
	"跟我学，北京-柏林"两天公共录像对话，家作坊和德国柏林PROGRAM艺术与建筑独立机构 "Do as I do, Beijing - Berlin"; 2-day open chat event between HomeShop and PROGRAM initiative for art + architecture collaborations

静态连结 permalink: http://www.homeshop.org.cn/#seriesnumbertwo

其最新的作品为《家作坊》――她将藏在北京一条老胡同深处的一个原房地产经纪店变成了一个"睡觉－工作－生活"的空间。《家作坊》试图从"家"的玻璃前门的良好渗透性出发，检验公共空间与私人领域之间的互嵌性，以及，商业交换与纯粹交换的关系。《08奥运会》是"家作坊"第一系列的活动。北京与奥林匹克运动会的时空框架在"家作坊"这里被修正为一个坐标方格，在这样一个迷你的时空方格里，不确定性不断出现，聚合，复又以新的形式出现――由此，一个城市环境与日常行为的交叉空间形成。与全国08.08.08倒计时的狂热期盼相反，奥运会进行中的每一天都是向着奥运会结束的倒计时。 家作坊组织了各种形式与不同尺度的活动，譬如，有田野录音，"失败者"庆祝派队，与邻居们一起在街头收看奥运比赛并与之展开即兴讨论。"家作坊"的二手衣服收购站则吸引了不少好奇的路人，他们走进来，进入空间，"社交"由此达成。另外，合作艺术家梁越免费派送"放心"海报以及Sean Smith以奥运门票为奖品的Wii赛跑活动，都旨在从胡同居民的日常路径中为我们参与社区与公共空间的各种方式挖掘出小小的可能性。

HomeShop initiated its first project series in August of 2008 during the Beijing Summer Olympics. For the Games 2008 series, the framework of Beijing and the Olympic games was used as a grid from which to allow indeterminacies to converge and reappear―a way of building common spaces from the urban environment and community practice. Located in a small hutong near the Gulou area of the city, each day of the Olympics marked a countdown to the events' end, as opposed to the nation-wide arousal of public displays of the countdown to 08.08.08. Varying scales of activities took place, from field recordings to a party in honour of the "losers", from street-side viewings of the Games to impromptu stoop-front discussions with a neighbour. A secondhand clothing collection station invited curious passersby to come in and interact with the space, and free giveaways from participating artists Liang Yue ("Relax" posters) and Sean Smith (a Wii video game race to win Olympic event tickets) aimed at offering, within the daily routes of local residents, a minor-scale potentiality for our ways of engaging with the community and public space.


第一期活动  SERIES NUMBER ONE SELECTED EVENTS:

	免费户外放映奥运会开幕式和闭幕式 free outdoor screenings of Olympics Opening and Closing Ceremonies
	失败者派对，展出蔡凯、何颖雅、 任波与Ralf SCHMERBERG/ Radical Media的录像作品 'Losers' event, featuring short films by CAI Kai, Elaine W. HO, REN Bo, Ralf SCHMERBERG and Radical Media
	家作坊主办北京批判理论小组读多伊那·派特斯古的文章"公共用地的不确定测绘" Beijing Critical Reading Group discusses Doina Petrescu's "The Indeterminate Mapping of the Common"
	田野录音 field recordings
	"说" 记性拉话活动，崔凯旋 "Talk" sessions by Cassidy CUI
	二手衣服交换买卖，高灵、Inga Svala THORSDOTTIR与吴宇君 clothing buy/trade/sell organised by GAO Ling, Inga Svala THORSDOTTIR and Philana WOO
	"wii想玩//我们没有门票" 公共互动wii竞赛，由Sean SMITH发起 "wii would like to play // we don't have tickets" interactive public Wii racing, by Sean SMITH
	梁药广告公司"放心"赠品，梁越 LIANG Medicine Advertising Company "Relax" giveaways, by LIANG Yue
	酸梅汤烹饪课，娄艺萌 plum juice brewing lesson, by LOU Yimeng

静态连结 permalink: http://www.homeshop.org.cn/#seriesnumberone

	“Noise and Context”, review by Edward SANDERSON ArtSlant, 20 June 2011
	“何颖雅和她的家作坊”，文: 张小船 Boat ZHANG 《艺术世界 Art World》250期，2011年3月
	“Growing Pains”, by Edward SANDERSON ArtSlant, 21 February 2011
	“访 何颖雅《穿 wear》杂志主编”, 文: Lova www.stylebook.cc, 2011年2月17日
	“家作坊和《穿》”，编辑: 卢迎华 Carol Yinghua LU, ed.  《艺术文献 Fine Arts Literature》第70期，2011年2月
	“个体体系——“家作坊”的实践:会议纪要”，文: 戴章伦 Adele DAI Carol Yinghua Lu’s Blog, 2011年1月27日
	“Reflections on Beijing's Edible Art”, by Edward SANDERSON ArtSlant, 22 November 2010
	“Chinese artist-run spaces rise up again?” Art Radar Asia, 18 May 2009
	“Observing Chinese contemporary art through writings”, by Fiona HE Research log of Asia Art Archive, May 2009
	“HomeShop: A Public/Private Project” broken city lab, 22 April 2009
	“back in a place we call home“ by Leo de BOISGISSON L’una’otra, 26 August 2008
	胡同一“家” ，文: 赵茜 《新浪财经 Sina Finance》 2008年8月16日
	“wii would like to play // we don’t have tickets” by Sean SMITH Sportsbabel, 22 August 2008
	“Home in shop, neighbors in home” by XIE Tingting China Radio International CRIEnglish.com, 17 August 2008
	“080808”, by Philana WOO Life in China, 11 August 2008
	“One World, One Dream, Many Beers”, by Justin MITCHELL Son of Shenzhen Zen: Beijing Bahdabing, 9 August 2008
	“èr-ling-ling-bā!” by Sean SMITH Sportsbabel, 8 August 2008